Vasundhra Rajagopal, a native of Srirangam, Trichirapalli district, Tamilnadu, commenced her musical training from Gana Ratna Vidwan Sri N Gopala Iyer, a descendant of the illustrious composer, Koteeswara Iyer. Within a short of span of five years she matured into a performing artiste. In 1974, she left the Indian shores for Canada where she lived for over two decades. While at Canada she continued to nurture her interest in Carnatic music by giving a number of concerts and by training a number of youngsters, some of whom have blossomed into concert artistes. Her daughter Nisha Rajagopal, who also had her initial training under Vasundhra is one of the rising young stars in Carnatic music today. She moved with her family back to India in 1995. She now resides at Chennai, where she continues her quest for excellence in music.

Vasundhra graduated from Delhi University with a Master of Science degree and later got her CMA (Certified Management Accountant ) in Canada. She worked in a management position while at Toronto, Canada at Bell Canada. Upon moving to India, she held the position of Financial Analyst at United States Agency for International Development (USAID), New Delhi and later a Senior Executive position with a multinational company at Chennai. She relinquished her professional management career in 1999 in order to devote her complete attention to Carnatic music.

Sri Velukkudi Krishnan Swamy is a renowned spiritual teacher and is proficient in many scriptural texts. He has given many discourses all over India and abroad. He has the unique accolade of publishing more than 200 CDs on various subjects.His mastery over Sanskrit and Tamil is unparalleled.He has been giving discourses on Tiruppavai in various TV channels and he currently features in Podhigai channel explaining one sloka from the Bhagavath Gita every day. He has many titles to his credit include 'Bala Vag Amruthavarshi', 'Upanyasa Kanteerava', 'Pravachana Sangeetha Bhushana','Sollin Selvar' etc.

Srivatsa Jayarama Sharma, who learnt the nuances of Vedas and Sanadhana Dharma under his illustrious father Srivatsa Soma Deva Sharma, himself a veteran in 18 Puranas, is also a Post Graduate in History from Annamalai University. With more than 3 decades of service to the society as an Upanyasaka in Narayaneeyam, Ramayanam, Bhagavatham and Mahabharatham to his credit, Srivatsa Jayarama Sharma, today is the torch bearer of Hindu Philosophy relevant to the youth of India. His portrayel is dramatic yet authentic, down to earth yet imaginative, hilarious yet poignant, innovative thus ingenious.

Born in a family of musicians, Tanjore S. Kalyanaraman had his initial training in music from his father Srinivasa Iyer. He honed his immense talent under the illustrious legend G.N. Balasubramaniam, a rage among musicians in those days. This wonderful combination of musical heritage and intensive training under a musical genius helped Kalyanaraman master the art. He was easily one of the best disciples of GNB in that, he imbibed the assets of his guru and gave it a stamp of originality too. He was a good composer himself. His felicity to render rare and vivadi ragas is unparalleled. He was one of the most versatile musicians the carnatic music world has ever seen.

T.K.V. Desikachar is the son and primary student of Sri Tirumalai Krishnamacharya, a prominent yogi credited with being a driving force behind the resurgence of Hatha yoga in recent decades.

UMA is a dancer of unprecedented and graceful intensity, of the Bharathanatyam and Kuchupudi Schools of Classical Indian dance.She began her training as a child of 5 under Padmashri K.N. Dhandayudhapani Pillai and persued her passion with Padmashri Adyar K.Lakshman.Subsequently she devoted herself to Kuchupudi. Padmanabhan Vempati Chinna Satyam is her guru.Uma is the daughter inlaw of the legendary playback singer Smt.Janaki.

S. Balachander, born in Madras on 18th January 1927, enjoyed the privilege of having had ancestors who belonged to and lived in Tanjore area, acclaimed as the seat of culture and fine arts in South India. From the very early age of five Balachander started showing very great interest for Classical Music, and a greater desire to play upon some musical instruments. The first one he ever attempted upon being a Kanjeera, a small circular percussion instrument.