Bharatanatyam Moha Sagaram
- a collection of Kshetrayya Padams - (Unique multiple-camera angle option!)
Some powerful, pithy and passionate verses of Kshetrayya, the 17th century Telugu poet find articulation through a full-blown demonstration by ‘Padmabhushan’ Smt. Kalanidhi Narayanan, the legendary abhinaya exponent. With ease and elegance, ‘maami’- as she is affectionately called- unrolls layers and layers of the multiple dimensions of shrungara rasa in a unique language called ‘abhinaya’ using her eyes, head, neck and also the hands that fold and unfold in various styles and shapes. Her furrowed face explodes into a kaleidoscope of emotions as she depicts the desires and dilemmas of lovelorn heroines. It is a scintillating synergy involving verses animated by music and articulated by an ageless dance form.		Concept & Presentation by Priyadarsini Govind ‘Ayyayo vegatayana’  - (‘Payyada pai’) - Nadha nama kriya-Trupuda A Virahotkhandita nayika pines and longs to be with her lover ‘Vadarake povey’ (‘Athi yuka yukamu’) - Kambhoji-Trupuda Enfeebled and exasperated by the long separation from her lover, the heroine sends word through her friend asking him not to come! ‘Nan etikku pomanerey’ -Panthuvarali-Trupuda A Mugdha nayika winces in horror over her escapades with her lover ‘Valappu dasa neraney’ -Varali�"Misrachapu The heroine’s abundant love for her man explodes with awesome intensity ‘Yela vachitivey’ -Navroj-Trupuda “How did your feet carry you away from your beloved? Don’t you know how much he suffers on account of this separation?”- is the sakhi’s poser to the heroine.

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