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Home > Dance > Bharatanatyam > Performances > Nritya Saptaham - 7 Live performances of Dr. Padma Subrahmanyam
Nritya Saptaham - 7 Live performances of Dr. Padma Subrahmanyam
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Nritya Saptaham - 7 Live performances of Dr. Padma Subrahmanyam
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Nritya Saptaham - 7 Live performances of Dr. Padma Subrahmanyam
Padma Bhushan Dr Padma Subrahmanyam P
Code SC020
Swathi's Sanskriti Series

Tracks

1.Krishna, the Supreme Preacher - Commentary - English
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Composer: Dr.Padma Subrahmanyam
2.Krishna, the Supreme Preacher - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
3.Krishna, the Supreme Preacher - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
4.Krishna, the Supreme Preacher - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
5.Krishna, the Supreme Preacher - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
6.Krishna, the Supreme Preacher - Performance
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Composer: Dr.Padma Subrahmanyam
7.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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Composer: Dr. Padma Subrahmanyam
8.Special Features - Musings of B.Kannan
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Composer: Dr. Padma Subrahmanyam
9.Special Features - Musings of Dr. Gayatri Kannan
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Composer: Dr. Padma Subrahmanyam
10.Krishna, the Baby and growind child - Commentary - English
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Composer: Dr. Padma Subrahmanyam
11.Krishna, the Baby and growind child - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
12.Krishna, the Baby and growind child - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
13.Krishna, the Baby and growind child - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
14.Krishna, the Baby and growind child - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
15.Krishna, the Baby and growind child - Performance
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Composer: Dr. Padma Subrahmanyam
16.Krishna, the Musician - Commentary - English
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Composer: Dr.Padma Subrahmanyam
17.Krishna, the Undaunted little dancer - Commentary - English
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Composer: Dr.Padma Subrahmanyam
18.Krishna, the Undaunted little dancer - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
19.Krishna, the Undaunted little dancer - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
20.Krishna, the Undaunted little dancer - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
21.Krishna, the Undaunted little dancer - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
22.Krishna, the Undaunted little dancer - Performance
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Composer: Dr.Padma Subrahmanyam
23.Krishna, the Musician - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
24.Krishna, the Musician - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
25.Krishna, the Musician - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
26.Krishna, the Musician - Performance
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Composer: Dr.Padma Subrahmanyam
27.Krishna, the Stealer of Hearts - Commentary - English
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Composer: Dr.Padma Subrahmanyam
28.Krishna, the Stealer of Hearts - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
29.Krishna, the Stealer of Hearts - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
30.Krishna, the Stealer of Hearts - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
31.Krishna, the Stealer of Hearts - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
32.Krishna, the Stealer of Hearts - Performance
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Composer: Dr.Padma Subrahmanyam
33.Krishna, the Heroic Husband - Commentary - English
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Composer: Dr.Padma Subrahmanyam
34.Krishna, the Heroic Husband - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
35.Krishna, the Heroic Husband - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
36.Krishna, the Heroic Husband - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
37.Krishna, the Heroic Husband - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
38.Krishna, the Heroic Husband - Performance
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Composer: Dr.Padma Subrahmanyam
39.Krishna, the Friend - Commentary - English
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40.Krishna, the Friend - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
41.Krishna, the Friend - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
42.Krishna, the Friend - Commentary - Kannada
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43.Krishna, the Friend - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
44.Krishna, the Friend - Performance
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45.Krishna, the Protector - Commentary - English
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46.Krishna, the Protector - Commentary - Tamil
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Composer: Dr.Padma Subrahmanyam
47.Krishna, the Protector - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
48.Krishna, the Protector - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
49.Krishna, the Protector - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
50.Krishna, the Protector - Performance
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Composer: Dr.Padma Subrahmanyam
51.Krishna, the Musician - Commentary - Malayalam
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Composer: Dr.Padma Subrahmanyam
52.Rama's story to Baby Krishna - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
53.Rama's story to Baby Krishna - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
54.Rama's story to Baby Krishna - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
55.Rama's story to Baby Krishna - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
56.Rama's story to Baby Krishna - Performance
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Composer: Dr. Padma Subrahmanyam
57.Sita Kalyanam - Commentary - English
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Composer: Dr. Padma Subrahmanyam
58.Banish to Forest - Commentary - English
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Composer: Dr. Padma Subrahmanyam
59.Banish to Forest - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
60.Banish to Forest - Commentary - Malayalam
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61.Banish to Forest - Commentary - Kannada
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62.Banish to Forest - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
63.Banish to Forest - Performance
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Composer: Dr. Padma Subrahmanyam
64.Rama's Pitiable Search - Commentary - English
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65.Rama's Pitiable Search - Commentary - Tamil
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66.Rama's Pitiable Search - Commentary - Malayalam
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67.Rama's Pitiable Search - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
68.Rama's Pitiable Search - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
69.Rama's Pitiable Search - Performance
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Composer: Dr. Padma Subrahmanyam
70.Sita Kalyanam - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
71.Sita Kalyanam - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
72.Sita Kalyanam - Commentary - Kannada
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73.Sita Kalyanam - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
74.Sita Kalyanam - Performance
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75.Shameless Surpanaka - Commentary - English
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76.Shameless Surpanaka - Commentary - Malayalam
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77.Shameless Surpanaka - Commentary - Kannada
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78.Shameless Surpanaka - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
79.Shameless Surpanaka - Performance
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Composer: Dr. Padma Subrahmanyam
80.Agni Pravesham - Commentary - English
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81.Agni Pravesham - Commentary - Tamil
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82.Agni Pravesham - Commentary - Malayalam
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83.Agni Pravesham - Commentary - Kannada
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84.Agni Pravesham - Commentary - Telugu
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85.Agni Pravesham - Performance
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86.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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Composer: Dr. Padma Subrahmanyam
87.Special Features - Musings of Dr. Gayatri Kannan
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Composer: Dr. Padma Subrahmanyam
88.Rama's story to Baby Krishna - Commentary - English
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Composer: Dr. Padma Subrahmanyam
89.Shameless Surpanaka - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
90.Special Features - Musings of B.Kannan
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Composer: Dr. Padma Subrahmanyam
91.Karma Yoga - Commentary - English
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Composer: Dr. Padma Subrahmanyam
92.Karma Yoga - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
93.Karma Yoga - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
94.Karma Yoga - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
95.Karma Yoga - Performance
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Composer: Dr. Padma Subrahmanyam
96.Prakriti and Bhakthi Yoga - Commentary - English
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Composer: Dr. Padma Subrahmanyam
97.Prakriti and Bhakthi Yoga - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
98.Prakriti and Bhakthi Yoga - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
99.Prakriti and Bhakthi Yoga - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
100.Prakriti and Bhakthi Yoga - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
101.Prakriti and Bhakthi Yoga - Performance
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Composer: Dr. Padma Subrahmanyam
102.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Commentary - Tamil
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103.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
104.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
105.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
106.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Performance
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Composer: Dr. Padma Subrahmanyam
107.Arjuna's Confusion, his surrender to Krishna as disciple and the Lord's revelation of Gnana Yoga - Commentary - English
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Composer: Dr. Padma Subrahmanyam
108.The Lord's Assurance and Cosmic Revelation - Commentary - English
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Composer: Dr. Padma Subrahmanyam
109.The Lord's Assurance and Cosmic Revelation - Commentary - Tamil
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Composer: Dr. Padma Subrahmanyam
110.The Lord's Assurance and Cosmic Revelation - Commentary - Malayalam
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111.The Lord's Assurance and Cosmic Revelation - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
112.The Lord's Assurance and Cosmic Revelation - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
113.The Lord's Assurance and Cosmic Revelation - Performance
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Composer: Dr. Padma Subrahmanyam
114.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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Composer: Dr. Padma Subrahmanyam
115.Special Features - Musings of B.Kannan
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Composer: Dr. Padma Subrahmanyam
116.Special Features - Musings of Dr. Gayathri Kannan
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Composer: Dr. Padma Subrahmanyam
117.Karma Yoga - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
118.Ganapatyam - Commentary - English
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119.Ganapatyam - Commentary - Tamil
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120.Ganapatyam - Commentary - Malayalam
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121.Ganapatyam - Commentary - Kannada
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122.Ganapatyam - Commentary - Telugu
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123.Ganapatyam - Performance
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124.Sauram - Commentary - English
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125.Sauram - Commentary - Tamil
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126.Sauram - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
127.Sauram - Commentary - Kannada
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128.Sauram - Commentary - Telugu
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129.Sauram - Performance
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130.Kaumaram - Commentary - English
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131.Kaumaram - Commentary - Tamil
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132.Kaumaram - Commentary - Malayalam
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133.Kaumaram - Commentary - Kannada
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134.Kaumaram - Performance
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135.Saktam - Commentary - English
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136.Saktam - Commentary - Tamil
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137.Saktam - Commentary - Malayalam
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138.Saktam - Commentary - Kannada
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139.Saktam - Commentary - Telugu
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140.Sankara Vijayam and Pushpanjali - Commentary - English
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141.Sankara Vijayam and Pushpanjali - Commentary - Tamil
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142.Sankara Vijayam and Pushpanjali - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
143.Sankara Vijayam and Pushpanjali - Commentary - Kannada
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144.Sankara Vijayam and Pushpanjali - Commentary - Telugu
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145.Sankara Vijayam and Pushpanjali - Performance
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146.Vaishnavam - Commentary - English
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147.Vaishnavam - Commentary - Tamil
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148.Vaishnavam - Commentary - Malayalam
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149.Vaishnavam - Commentary - Kannada
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150.Vaishnavam - Commentary - Telugu
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151.Vaishnavam - Performance
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152.Saivam - Commentary - English
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153.Saivam - Commentary - Tamil
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154.Saivam - Commentary - Malayalam
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155.Saivam - Commentary - Kannada
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156.Saivam - Commentary - Telugu
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157.Saivam - Performance
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158.Saktam - Performance
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Composer: Dr. Padma Subrahmanyam
159.Bhaja Govindam - Commentary - English
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160.Bhaja Govindam - Commentary - Tamil
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161.Bhaja Govindam - Commentary - Malayalam
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Composer: Dr. Padma Subrahmanyam
162.Bhaja Govindam - Commentary - Kannada
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Composer: Dr. Padma Subrahmanyam
163.Bhaja Govindam - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
164.Bhaja Govindam - Performance
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Composer: Dr. Padma Subrahmanyam
165.Maneesha Panchakam - Commentary - English
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166.Maneesha Panchakam - Commentary - Tamil
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167.Maneesha Panchakam - Commentary - Malayalam
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169.Maneesha Panchakam - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
170.Maneesha Panchakam - Performance
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171.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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Composer: Dr. Padma Subrahmanyam
172.Special Features - Musings of B.Kannan
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Composer: Dr. Padma Subrahmanyam
173.Special Features - Musings of Dr. Gayatri Kannan
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Composer: Dr. Padma Subrahmanyam
174.Kaumaram - Commentary - Telugu
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Composer: Dr. Padma Subrahmanyam
175.Meenakshi Kalyanam - Commentary - English
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Composer: Dr. Padma Subrahmanyam
176.Meenakshi Kalyanam - Commentary - Tamil
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177.Meenakshi Kalyanam - Commentary - Malayalam
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178.Meenakshi Kalyanam - Commentary - Kannada
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Composer: Dr.Padma Subrahmanyam
179.Meenakshi Kalyanam - Performance
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Composer: Dr.Padma Subrahmanyam
180.Special Features - Dr. Padmasubrahmanyam's Anecdotes
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Composer: Dr.Padma Subrahmanyam
181.Special Features - Musings of B.Kannan
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Composer: Dr. Padma Subrahmanyam
182.Special Features - Musings of Dr. Gayatri Kannan
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Composer: Dr. Padma Subrahmanyam
183.Meenakshi Kalyanam - Commentary - Telugu
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Composer: Dr.Padma Subrahmanyam
184.Paripadal - Commentary - English
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Composer: Dr. Padma Subrahmanyam
185.Paripadal - Commentary - Tamil
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186.Paripadal - Commentary - Malayalam
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187.Paripadal - Commentary - Kannada
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188.Paripadal - Commentary - Telugu
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189.Paripadal - Performance
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190.Silappadikaram - Commentary - English
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191.Silappadikaram - Commentary - Tamil
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192.Silappadikaram - Commentary - Malayalam
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193.Silappadikaram - Commentary - Kannada
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194.Silappadikaram - Commentary - Telugu
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195.Silappadikaram - Performance
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196.Kamba Ramayanam - Commentary - English
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197.Kamba Ramayanam - Commentary - Tamil
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198.Kamba Ramayanam - Commentary - Malayalam
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199.Kamba Ramayanam - Commentary - Telugu
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200.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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201.Special Features - Musings of B.Kannan
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202.Special Features - Musings of Dr. Gayatri Kannan
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203.Thiruttandakam - Commentary - English
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204.Thiruttandakam - Commentary - Tamil
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205.Thiruttandakam - Commentary - Malayalam
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206.Thiruttandakam - Commentary - Kannada
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207.Thiruttandakam - Commentary - Telugu
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208.Thiruttandakam - Performance
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209.Aathichoodi and Konrai Vendan - Commentary - English
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210.Aathichoodi and Konrai Vendan - Commentary - Tamil
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211.Aathichoodi and Konrai Vendan - Commentary - Malayalam
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212.Aathichoodi and Konrai Vendan - Commentary - Kannada
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213.Aathichoodi and Konrai Vendan - Commentary - Telugu
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214.Aathichoodi and Konrai Vendan - Performance
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215.Thiruppavai - Commentary - English
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216.Thiruppavai - Commentary - Tamil
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217.Thiruppavai - Commentary - Malayalam
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218.Thiruppavai - Commentary - Kannada
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219.Thiruppavai - Commentary - Telugu
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220.Thiruppavai - Performance
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221.Periya Puranam - Commentary - English
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222.Periya Puranam - Commentary - Tamil
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223.Periya Puranam - Commentary - Malayalam
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224.Periya Puranam - Commentary - Kannada
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225.Periya Puranam - Commentary - Telugu
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226.Periya Puranam - Performance
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227.Bharathiar Padal - Commentary - English
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228.Bharathiar Padal - Commentary - Tamil
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229.Bharathiar Padal - Commentary - Malayalam
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230.Bharathiar Padal - Commentary - Kannada
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231.Bharathiar Padal - Commentary - Telugu
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232.Bharathiar Padal - Performance
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233.Thirukkural - Commentary - English
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234.Thirukkural - Commentary - Malayalam
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235.Thirukkural - Commentary - Kannada
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236.Thirukkural - Commentary - Telugu
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237.Thirukkural - Performance
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238.Kamba Ramayanam - Performance
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239.Kamba Ramayanam - Commentary - Kannada
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240.Thirukkural - Commentary - Tamil
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241.Continental Harmony - Commentary - English
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242.Continental Harmony - Commentary - Tamil
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243.Continental Harmony - Commentary - Malayalam
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244.Continental Harmony - Commentary - Kannada
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245.Continental Harmony - Commentary - Telugu
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246.Continental Harmony - Performance
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247.Regional Inspiration - Performance
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248.Ideal World - Commentary - English
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249.Ideal World - Commentary - Tamil
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250.Ideal World - Commentary - Malayalam
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251.Ideal World - Commentary - Kannada
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252.Ideal World - Commentary - Telugu
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253.Ideal World - Performance
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254.Religious Harmony - Commentary - English
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255.Religious Harmony - Commentary - Tamil
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256.Religious Harmony - Commentary - Malayalam
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257.Religious Harmony - Commentary - Kannada
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258.Religious Harmony - Commentary - Telugu
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259.Religious Harmony - Performance
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260.Krishna - The Pan Indian lover - Commentary - English
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261.Krishna - The Pan Indian lover - Commentary - Tamil
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262.Krishna - The Pan Indian lover - Commentary - Malayalam
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263.Krishna - The Pan Indian lover - Commentary - Kannada
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264.Krishna - The Pan Indian lover - Commentary - Telugu
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265.Krishna - The Pan Indian lover - Performance
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266.Child Rama - The delight of Poets - Commentary - English
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267.Child Rama - The delight of Poets - Commentary - Tamil
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268.Child Rama - The delight of Poets - Commentary - Malayalam
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269.Child Rama - The delight of Poets - Commentary - Kannada
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270.Child Rama - The delight of Poets - Commentary - Telugu
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271.Child Rama - The delight of Poets - Performance
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272.Vande Mataram - Hail Mother India - Comments - English
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273.Vande Mataram - Hail Mother India - Comments - Tamil
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274.Vande Mataram - Hail Mother India - Comments - Malayalam
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275.Vande Mataram - Hail Mother India - Comments - Kannada
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276.Vande Mataram - Hail Mother India - Comments - Telugu
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277.Vande Mataram - Hail Mother India - Performance
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278.Special Features - Musings of B.Kannan
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279.Special Features - Musings of Dr. Gayatri Kannan
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280.Regional Inspiration - Comments - English
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281.Regional Inspiration - Comments - Tamil
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282.Regional Inspiration - Comments - Malayalam
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283.Regional Inspiration - Comments - Kannada
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284.Regional Inspiration - Comments - Telugu
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285.Special Features - Dr. Padma Subrahmanyam's Anecdotes
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DISC: 7
Format: DVD
Language: English
Duration: 05:20:08

Synopsis

Krishnaya Tubhyam Namaha of Dr. Padma Subrahmanyam created history in mid seventies and continues to charm its audience to this day, all over the world. Normally, Bharatanatyam recitals contain isolated independent numbers. More than three decades ago Dr. Padma Subramaniam revived the concept of a thematic presentation through mono acting by a lady. This programme has Lord Krishna as the central theme, dealing with His personality in its varied dimensions. To this Ultimate Reality an apparently paradoxical personality we offer this programme not as a mere entertainment but as a Yagna, with humility and devotion. Lyrics have been culled out from Sanskrit and Tamil literature.
 
Ramaya Tubhyam Namaha
 
More than three decades ago Dr. Padma revived the concept of a thematic presentation through mono acting by a lady. Ramaya Tubhyam Namahais one such programme with Lord Rama as the central theme, dealing with certain aspects of His personality as a normal human being. Dr. Padma Subramaniam has compiled this programme from Ramayana classics of various Indian languages namely, Sanskrit, Hindi, Tamil, Malayalam and Telugu. We offer this programme with devotion at the lotus feet of Lord Rama. The lyrics have been compiled from the fragrant flowers of immortal poets such as Valmiki, Kamban, Tulsidas, Ezhuthacchan, Thyagaraja, Leela Sukar and folk poets.
 
Jaya Jaya Sankara

Jaya Jaya Sankara is a solo dance recital of Dr. Padma Subrahmanyam with Adi Sankara's message as the central theme. As a Prophet, Philosopher and Poet, Sankara stands foremost amongst the great figures in world history. Glorious clouds of legend surround the austere, charming, boyish figure of Sankara who lived in this world in the physical sense, only for 32 years. In the first number, Dr. Padma Subramaniam delineates some important events in the life of Sankara. She then takes up the concept of Shanmatha, the six cults of the Hindu fold. These are followed by two more numbers which highlight the essence of Advaita philosophy. Dr. Padma has utilised more than 60 verses in Sanskrit from about 25 works of Adi Sankara.
 
Bhagavad Gita

Bhagavad Gita This programme is an outcome of a profound yearning of Dr. Padma Subrahmanyam to express in a concrete form the most abstract philosophy of our unparalleled Hindu contribution to humanity at large. Dr.Padma Subramaniam performs both as Krishna and Arjuna in her usual Banika style. She has epitomised the 18 chapters and compiled the programme as consisting of four sequences. She gives a bird eye view of the content of Gita utilising 78 out of 700 slokas from the original text in Sanskrit. She hopes that her theatrical presentation of the Bhagavad Gita would inspire the spectator to go deeper into the bed of our Hindu ocean.
 
Sangamam

Sangamam is the result of Dr. Padma Subrahmanyam pan-Indian view of the integrated culture in which unity of thought and expression has been immanent since time immemorial. She has tried to capture in a capsule, this unique oneness, through this performance which focuses on mutual influences of poets and composers from various linguistic regions, reflecting catholicity, admiration, as well as religious harmony. In this bouquet of poetic flowers, Dr. Padma Subramaniam has gathered those of Muthuswami Dikshithar, Rabindranath Tagore, Kamban, Kashmiri Queen Khaba Khatoon, Dharmapuri Subbarayar, Periazhvar, Tulsidas, Bankim Chandra Chatterjee, Subramanya Bharati and a composition of Dr. Padma herself. The languages included are Sanskrit, Bengali, Malayalam, Tamil, Kashmiri and Telugu. Dr. Padma has used the respective traditional music for the poems apart from one composed by her and another by her nephew B. Kannan.
 
Paripadal Mudhal Bharati Varai

Paripadal Mudhal Bharati Varai is an ambitious project that Dr. Padma Subrahmanyam has conceived to present at least one spoonful of the ocean of Tamil literary heritage of 2000 years. This is one more venture to quench her literary thirst and give vent to her own study of Tamil. This programme tries to capture the gems that were produced by some of the greatest of Tamil poets. Subjects and emotions portrayed are quite kaleidoscopic in nature, thus giving a vast scope for Dr. Padma Subramaniam to transform Iyal Tamizh into Isai and Nataka Tamizh.
 
Meenakshi Kalyanam
 
Meenakshi Kalyanam by Dr. Padma Subrahmanyam is a riot of colours with participation of 45 dancers. This research product of her sister-in-law, Shyamala Balakrishnan, took a visual shape in the creative urge of Dr. Padma. It was presented for the first time in early 1960's and continues to grip the attention of the audience to this day. Mythology says that the Pandian King was blessed to have Parvati Devi herself as his daughter Meenakshi, who was born out of the sacrificial fire. This tom boy of a girl grew up as a warrior-princess with manly demeanour and egoistic nature. Dr.Padma Subramaniam was transformed into a personification of feminine grace at the very sight of Lord Siva in the battle field. The wedding of Siva-Sundareswara and Meenakshi is a popular theme all over Tamilnadu.
 
Special Features :
 
Dr.Padma Subrahmanyam's anecdotes
Commentaries in 5 languages English, Tamil, Malayalam, Kannada & Telugu

Best Major Technical Authoring Design
"Awarded by Home Entertainment India Summit DVD Awards Foundation"

Backed by genuine desire to preserve for posterity, Swathi's Sanskriti Series, uses the best of technology to release this product.


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