Srimad Bhagavatha Sapthaagam- 2Mp3
Thyagaraja Ramayanam- 2Mp3
Srimad Bhagavatha Sapthaagam
Srimad Bhagavatham authored by Saint Vyasa is one of the highly venerated epics of ancient India that contains the very quintessence of Sanaathana Dharma. The common man can navigate such an ocean of Bhakti, Yoga and Karma only with the help of an erudite and devout puranic like Brahmasri T.S.Balakrishna Sastrigal, one of the greatest Harikatha exponents. Here the scholar, in his inimitable style, handholds the audience and helps them savor the nuggets of wisdom that Srimad Bhagavatham is replete with. With his majestic voice, flawless diction and a distinctively dramatic narration, he renders the verses soaked in soul stirring music. The late doyen of Harikatha bestows this pack as his blessings on the fortunate listeners from his abode in Heaven.
The Concept of Thyagaraja Ramayanam is the brain child of Harikatha Legend Brahmasri T.S.Balakrishna Sastrigal. Sathguru Thyagaraja, a divine gem among the Carnatic Music Trinities did not author Ramayanam to be termed as Thyagaraja Ramayanam. But Brahmasri TSB Sastrigal, who soaked himself in the Ocean of Saint Thyagaraja's Kritis, formatted Thyagaraja Ramayanam through in depth analysis and passionate interpretation of these inimitable compositions. The vivid placement of each of Thyagaraja's Kritis at fittingly appropriate and mostly unexpected turn of events in the Epic Ramayanam lifted audience senses to a new horizon. Such soul stirring effects were sensed by His Holiness Jagathguru Kanchi Kamakoti Paramacharyal. Periyavar invited Brahmasri TSB Sastrigal and made him give a glimpse of Thyagaraja Ramayanam before his enthralling presence. Shower of His blessings on the concept and the conceiver left its indelible imprints and could be traced even today - LIVE. This two MP3 CDs pack is a memorable retrieval from the archives of Brahmasri TSB Sastrigal's 11 days long discourse at Mumbai several decades ago with the melodious co-singing of his brother Sri.T.S.Vallesan. A True Treasure to be heard, enlivened and preserved.
The period in which the Musical Trinity namely Shyama Sastri, Thyagaraja and Muthuswamy Dikshithar lived is rightly regarded as the Golden age of classical Carnatic music. Muthuswamy Dikshithar was the youngest of the musical Trinity. Dhikshithar has left a rich legacy to Carnatic music comprising a few hundred spectacular compositions, mostly in Sanskrit. His music has a grandeur and sublimity of high order and the lyrics in his compositions adequately and exquisitely bring out the transcendent philosophical concepts. For the richness of Raga Bhava, the lyrical excellence in terms of embellishments (Alankaras) and the variety of compositions Dhikshithar has composed, his contribution to Music is unsurpassed.
Brahmasri T.S. Balakrishna Sastrigal, whose penchant for the works of Saint Thiagaraja is now legendary, unfurls an absolutely new facet from his repertoire. Brahmasri Sastrigal traces the life history of Muthuswamy Dhikshithar and explains in detail some of the magnificent compositions with reference to the situations they were composed in. This product is a storehouse of information on one of the greatest composers Carnatic Music has ever seen vividly narrated by one of the greatest exponents of Harikatha.
On Brahmasri T. S. Balakrishna Sastrigal (1919-2003) Born in Thiruvidaimaruthur, near Kumbakonam in Tamil Nadu, he began performing at the age of 23 and held sway over Harikatha Kalakshebam for over 6 decades. A former senior executive of State Bank of India, his very name was synonymous with this traditional art of story-telling.
With an amazing and unmatched command over the Vedas, Puranas, Sastras, classical music and a score of languages, he held the audience spell-bound with his flair, fervour, felicity of expression and a resonant voice. Among the countless titles and honors that were conferred on him, the title "Harikatha Rathnakara" bestowed on him by both the Paramachariyals of Kamakoti and Sringeri peetams simultaneously at Asthika Samaj, Chennai in the year 1966 stands out. Sangeetha Nataka Academy, Delhi honored him in1993. Music Academy, Chennai conferred on him the Sangeetha Kala Acharya Award in 1997. Tamil Nadu Government bestowed on him the Kalaimaamani title in 1972.